Craig Rice (author) - Novels and Short Story Collections

Novels and Short Story Collections

All novels feature John J. Malone and Jake and Helene Justus unless otherwise noted.

  • Eight Faces at Three (1939) "John J. Malone, rumpled Chicago lawyer, teams up with press agent Jake Justus and eccentric heiress Helene Brand, to discover who killed a vicious dowager and why the murderer then made up the beds in the victim's house and stopped the clocks at 3:00."
  • The Corpse Steps Out (1940)
  • The Wrong Murder (1940)
  • The Right Murder (1941)
  • The G-String Murders (1941; possibly ghostwritten for Gypsy Rose Lee, though there is much dispute) (featuring and published as by Gypsy Rose Lee)
  • Trial by Fury (1941)
  • The Sunday Pigeon Murders (1942; Bingo and Handsome)
  • Mother Finds a Body (1942; ghostwritten for Gypsy Rose Lee) (featuring and published as by Gypsy Rose Lee)
  • The Big Midget Murders (1942)
  • Telefair (1942; non-series)
  • Having Wonderful Crime (1943)
  • The Thursday Turkey Murders (1942; Bingo and Handsome)
  • Home Sweet Homicide (1944; non-series)
  • Crime on My Hands (1944; ghostwritten for and published as by George Sanders)
  • The Lucky Stiff (1945)
  • The Fourth Postman (1948)
  • Innocent Bystander (1949; non-series)
  • My Kingdom for a Hearse (1957)
  • Knocked for a Loop (1957; all publication from this point on is posthumous)
  • The April Robin Murders (1958, principally credited to Ed McBain and featuring Bingo and Handsome)
  • The Name is Malone (1958; short stories)
  • People vs. Withers and Malone (1963; short stories; completed by Stuart Palmer and featuring his Hildegarde Withers character)
  • But the Doctor Died (1967)
  • Murder, Mystery and Malone (2002; short story collection)
  • The Pickled Poodles (1960, by Larry M. Harris) is a continuation of the John J. Malone series.

Read more about this topic:  Craig Rice (author)

Famous quotes containing the words novels, short, story and/or collections:

    “The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.”
    —Doris Lessing (b. 1919)

    “Language was not powerful enough to describe the infant phenomenon. “I’ll tell you what, sir,” he said; “the talent of this child is not to be imagined. She must be seen, sir—seen—to be ever so faintly appreciated.”... The infant phenomenon, though of short stature, had a comparatively aged countenance, and had moreover been precisely the same age—not perhaps to the full extent of the memory of the oldest inhabitant, but certainly for five good years.”
    —Charles Dickens (1812–1870)

    “Personal beauty is then first charming and itself, when it dissatisfies us with any end; when it becomes a story without an end; when it suggests gleams and visions, and not earthly satisfactions; when it makes the beholder feel his unworthiness; when he cannot feel his right to it, though he were Caesar; he cannot feel more right to it than to the firmament and the splendors of a sunset.”
    —Ralph Waldo Emerson (1803–1882)

    “Most of those who make collections of verse or epigram are like men eating cherries or oysters: they choose out the best at first, and end by eating all.”
    —Sébastien-Roch Nicolas De Chamfort (1741–1794)