Country-western Dance - Lead and Follow

Lead and Follow

Traditionally the man set the pace, established the length of stride, and decided when to change step, and the woman followed. A woman having more dance skills sometimes provided a tactful guiding push or pull, as long as it wasn't obvious. As soon as the man learns the routine, he takes the lead by combining firm, but gentle (never obvious) pushes and pulls. The leader should move assertively, and the follower should duplicate the countermovements, or perform her part of the dance. A photograph from one early "stag" dance shows a "closed" dance position, with the "man's" right arm around the back of the "woman".

In frontier days men danced with each other when women were not available. According to an early settler in Texas, "The gentle sex were few in number at the dance... Two men had to dance together to make a set." Another account states that "due to the scarcity of young women, a number of young bachelors who were either smooth shaven or wore polished shoes were designated as ladies." There were also "stag" dances with no women. "Heifer branded" men, those dancing the woman's role, wore handkerchiefs tied around one arm. At other times men dancing the role of the woman wore aprons. Miners in the California Gold Rush danced with one another if ladies were not available.

Read more about this topic:  Country-western Dance

Famous quotes containing the words lead and/or follow:

    It is sometimes called the City of Magnificent Distances, but it might with greater propriety be termed the City of Magnificent Intentions.... Spacious avenues, that begin in nothing, and lead nowhere; streets, mile-long, that only want houses, roads, and inhabitants; public buildings that need but a public to be complete; and ornaments of great thoroughfares, which only lack great thoroughfares to ornament—are its leading features.
    Charles Dickens (1812–1870)

    Love in the abstract is not enough for a great man in poverty; he has need of its utmost devotion.... She who is really a wife, one in heart, flesh, and bone, must follow wherever he leads, in whom her life, her strength, her pride, and happiness are centered.
    HonorĂ© De Balzac (1799–1850)