Counter Machine Reference Model
The Counter machine's reference model is a set of choices and conventions to be used with the Counter machine and other model variants of the Register machine concept. It permits comparisons between models, and serves a didactic function with regards to examples and descriptions.
It is based on conventional models, labels and terminology. The reference (base) model is intended to preserve consistency between articles.
Read more about Counter Machine Reference Model: Introduction, Formal Definition, Reference Library (RefLib), Footnotes
Famous quotes containing the words counter, machine, reference and/or model:
“As deaths have accumulated I have begun to think of life and death as a set of balance scales. When one is young, the scale is heavily tipped toward the living. With the first death, the first consciousness of death, the counter scale begins to fall. Death by death, the scales shift weight until what was unthinkable becomes merely a matter of gravity and the fall into death becomes an easy step.”
—Alison Hawthorne Deming (b. 1946)
“But a man must keep an eye on his servants, if he would not have them rule him. Man is a shrewd inventor, and is ever taking the hint of a new machine from his own structure, adapting some secret of his own anatomy in iron, wood, and leather, to some required function in the work of the world. But it is found that the machine unmans the user. What he gains in making cloth, he loses in general power.”
—Ralph Waldo Emerson (1803–1882)
“If we define a sign as an exact reference, it must include symbol because a symbol is an exact reference too. The difference seems to be that a sign is an exact reference to something definite and a symbol an exact reference to something indefinite.”
—William York Tindall (1903–1981)
“If the man who paints only the tree, or flower, or other surface he sees before him were an artist, the king of artists would be the photographer. It is for the artist to do something beyond this: in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.”
—James Mcneill Whistler (1834–1903)