Production History
The series follows the success of 52, which, in contrast, did not cross over with DC's other regular titles. 52 concluded with the revelation that the Multiverse (a storytelling device which posits the existence of alternate realities) exists, and which now serves as a backdrop to several stories in Countdown. Beginning with issue #26, the series trade dress was reworked to identify the series as Countdown to Final Crisis, The stories taking place in Countdown set the stage for the approaching Final Crisis limited series.
Countdown to Final Crisis was originally intended to run from issues #51-0, with issue 0 serving as the prologue to the Final Crisis limited series. Instead, it was decided that Countdown would conclude with issue #1 and the #0 issue was retitled to DC Universe #0. DC Universe #0 was co-written by Grant Morrison and Geoff Johns and served as a summary of recent events within the DC Universe in order to attract new readers before the company launched the Final Crisis limited series.
While the book was billed as leading up to the beginning of DC's Final Crisis limited series, it later emerged that the plotlines in Countdown had diverged from what was written for Final Crisis, leading to continuity problems between the two books, as noted by Final Crisis author Grant Morrision. Much of the comic has subsequently been retconned out of continuity, along with Death of the New Gods. Jimmy Olsen learning Superman's identity, the battle between him and Darkseid, and other such events have been ignored following the conclusion of the series. During a DC Nation panel at the 2008 San Diego Comic Con, DC Editor-in-Chief Dan DiDio invited fans to give their own opinions on "what went wrong" with Countdown. DiDio had reportedly described the series (prior to its release) as "52 done right."
Read more about this topic: Countdown To Final Crisis
Famous quotes containing the words production and/or history:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)
“The history of any nation follows an undulatory course. In the trough of the wave we find more or less complete anarchy; but the crest is not more or less complete Utopia, but only, at best, a tolerably humane, partially free and fairly just society that invariably carries within itself the seeds of its own decadence.”
—Aldous Huxley (18941963)