The Feel
Katie's innocent cheerfulness combines with Laurie's tragic past to make Count Your Sheep a strange mix of humor and melancholy accentuated by the blue colors. The strip is characterized by "quiet humor" that often involves discussions of the nature of childhood, life lessons, and the misunderstandings that occur between grownups and children. Because of this, it is most often compared to Calvin and Hobbes, Mutts and Peanuts. Ramos has also referenced the Disney movie Lilo and Stitch as an influence.
Although it is primarily a humorous comic there are some plot-points that are alluded to, most often involving Katie's father and the characters' struggles as a single-parent family.
As mentioned before, the comic draws from Calvin and Hobbes, but in a complementary way. The "quiet humor" of the strip strongly contrasts Calvin and Hobbes' rough and tumble nature. Katie and Ship would talk at home and have discussions while eating cookies, or carry potted plants, while Calvin and Hobbes had their red wagon, the sled, the tree fort and Calvinball (not to say that CYS isn't active at times). Calvin's parents were generic middle class parents who seem to be little more than boundaries to compare to Calvin's youthful nature. Laurie is a young, financially struggling, single mother, and the fact that she can still see Ship (who often is the most adult of the three) reflects just how different she is from Calvin's parents.
Read more about this topic: Count Your Sheep
Famous quotes containing the word feel:
“The train was crammed, the heat stifling. We feel out of sorts, but do not quite know if we are hungry or drowsy. But when we have fed and slept, life will regain its looks, and the American instruments will make music in the merry cafe described by our friend Lange. And then, sometime later, we die.”
—Vladimir Nabokov (1899–1977)
“The incomprehensibleness of women is an old theory, but what is that to the curious wondering observation with which wives, mothers, and sisters watch the other unreasoning animal in those moments when he has snatched the reins out of their hands, and is not to be spoken to!... It is best to let him come to, and feel his own helplessness.”
—Margaret Oliphant (1828–1897)