Background
Between 1968 and 1973, Dr. Clarence Jordan, a Southern Baptist minister, published four books where he translated the New Testament into colloquial Southern language. These "Cotton Patch" versions were brought to the attention of Tom Key, an Atlanta actor and playwright, when he was contemplating a play that would transplant the story of Jesus into the mid-20th century American South. Jordan's versions already featured the Southern-ized Christ that Key was thinking of. Jesus Davidson was born in the town of Gainesville, Georgia, and was laid in an apple crate. He was baptized in the Chattahoochee River, he preached to a crowd of thousands on Stone Mountain, and he met his end in Atlanta. Key built upon Jordan's work, making additions and changes such as the decision to have Jesus lynched rather than crucified.
With Jordan's versions as his source material, Key, together with Russell Treyz, wrote the book for the stage play. The music for the production was written and composed by the legendary Harry Chapin, in what would eventually prove to be his final musical work. In all, Chapin produced 26 songs for the show, many of them in a bluegrass style befitting the play's setting.
Read more about this topic: Cotton Patch Gospel
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