Initial Examinations
Gardner sent the prints along with the original glass-plate negatives to Harold Snelling, a photography expert. Snelling's opinion was that "the two negatives are entirely genuine, unfaked photographs ... no trace whatsoever of studio work involving card or paper models". He did not go so far as to say that the photographs showed fairies, stating only that "these are straight forward photographs of whatever was in front of the camera at the time". Gardner had the prints "clarified" by Snelling, and new negatives produced, "more conducive to printing", for use in the illustrated lectures he gave around the UK. Snelling supplied the photographic prints which were available for sale at Gardner's lectures.
Author and prominent Spiritualist Sir Arthur Conan Doyle learned of the photographs from the editor of the Spiritualists' publication Light. He had been commissioned by The Strand Magazine to write an article on fairies for their Christmas issue, and the fairy photographs "must have seemed like a godsend" according to broadcaster and historian Magnus Magnusson. Conan Doyle contacted Gardner in June 1920 to determine the background to the photographs, and wrote to Elsie and her father to request permission from the latter to use the prints in his article. Arthur Wright was "obviously impressed" that Conan Doyle was involved, and gave his permission for publication, but he refused payment on the grounds that, if genuine, the images should not be "soiled" by money.
Gardner and Conan Doyle sought a second expert opinion from the photographic company Kodak. Several of the company's technicians examined the enhanced prints, and although they agreed with Snelling that the pictures "showed no signs of being faked", they concluded that "this could not be taken as conclusive evidence ... that they were authentic photographs of fairies". Kodak declined to issue a certificate of authenticity. Gardner believed that the Kodak technicians may not have examined the photographs entirely objectively, observing that one had commented "after all, as fairies couldn't be true, the photographs must have been faked somehow". The prints were also examined by another photographic company, Ilford, who reported unequivocally that there was "some evidence of faking". Gardner and Conan Doyle, perhaps rather optimistically, interpreted the results of the three expert evaluations as two in favour of the photographs' authenticity and one against.
Conan Doyle also showed the photographs to the physicist and pioneering psychical researcher Sir Oliver Lodge, who believed the photographs to be fake. He suggested that a troupe of dancers had masqueraded as fairies, and expressed doubt as to their "distinctly 'Parisienne'" hairstyles.
Read more about this topic: Cottingley Fairies
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