Narrative Style
Literary critics often compare Bernhard’s writing with Franz Kafka’s or that of Samuel Beckett. But Bernhard’s style has its own peculiarities, a profoundly innovative form, and a much darker edge. Whilst the characters and situations in Correction are as comical and sometimes as absurd as those of the above two modernists, they are also based on historical reality and a precise geography. As a result, there is a surprising weight and closeness to the existential ground his characters ultimately tread upon. When Bernhard’s satire bends into horror as the novel progresses, there is little allegorical distance for the reader to retreat into. The culminating tragedy feels both personal and claustrophobic.
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Famous quotes containing the words narrative and/or style:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germansforgive me the fact that even Goethes prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the good old time to which it belongs, and a reflection of German taste at a time when there still was a German tasteMa rococo taste in moribus et artibus.”
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