Corneliu Baba - Art

Art

Perhaps unfashionably for a 20th century painter, Baba consciously worked in the tradition of the Old Masters, although, from the outset of his studies with his father, he was also influenced by expressionism, art nouveau, academicism and "remnants" of impressionism. Baba himself cited El Greco, Rembrandt, and Goya as particularly strong influences. This did not put him in good stead either with the official Socialist realism of the Eastern bloc (where, especially in the early Communist years, he periodically received damning criticism—and sometimes punishment, such as being suspended from teaching—for his "formalism").

Nearly all of Corneliu Baba's work remains in Romania; hardly a major museum in that country is without some of his work. Among his notable works are a 1952 portrait of Mihail Sadoveanu (now in Bucharest's National Art Museum) and a 1957 portrait of Krikor Zambaccian, (now in the Zambaccian Museum, also in Bucharest). One of his few pieces on public display outside of Romania is a rather impressionistic 1977-79 group scene entitled Fear, (one of several in a "Fears" series) in the Szépművészeti Museum in Budapest.

Throughout the 1970s and 1980s, Baba did an extensive series of paintings of Harlequins and "Mad Kings",; most of the latter remained in the artist's personal collection until his death, much as with Francisco Goya and his "black paintings".

Read more about this topic:  Corneliu Baba

Famous quotes containing the word art:

    Blind mouths! that scarce themselves know how to hold
    A sheephook, or have learn’d ought else the least
    That to the faithful herdman’s art belongs!
    What recks it them? What need they? They are sped.
    And when they list their lean and flashy songs
    Grate on their scrannel pipes of wretched straw,
    The hungry sheep look up, and are not fed,
    John Milton (1608–1674)

    The art of writing books is not yet invented. But it is at the point of being invented. Fragments of this nature are literary seeds. There may be many an infertile grain among them: nevertheless, if only some come up!
    Novalis [Friedrich Von Hardenberg] (1772–1801)

    Nature, hating art and pains,
    Baulks and baffles plotting brains;
    Casualty and Surprise
    Are the apples of her eyes;
    But she dearly loves the poor,
    And, by marvel of her own,
    Strikes the loud pretender down.
    Ralph Waldo Emerson (1803–1882)