Cornelia Hale - Differences Between Comic Book and The TV Series

Differences Between Comic Book and The TV Series

While Cornelia is "boycrazy" in the TV series, in the comic, she seems to show a dislike for boys; before Caleb came into her life, she ignored other boys' flirting or kindness. Despite this, she became very "soft" when she and Caleb started a relationship. When he dumped Cornelia, she became more narrow-minded towards boys, and also became very negative about love.

Unlike the comic book version, Cornelia in the TV series seems to be more positive about many things and often points out other people's bad taste in fashion and also makes jokes and sarcastic remarks. In the comic book, Cornelia can also be sarcastic at times but over more serious topics and she often fights with Irma and Will and complains about almost everything, while she still has these mood swings she has matured throughout the comic book series. Cornelia remains in a relationship with Caleb in the TV series; in the comic book, they break up, and Cornelia eventually begins dating Peter Cook.

W.I.T.C.H.
General
  • Comics
  • TV series
    • episodes
  • Video game
  • Items
Special Issues
  • The Year Before
  • Elyon: Return of the Queen
  • Cornelia and Caleb: A Love Not Meant to Be
  • Core of Kandrakar
  • Planet Boys
Characters
Guardians
  • Will Vandom
  • Irma Lair
  • Taranee Cook
  • Cornelia Hale
  • Hay Lin
Allies
  • Elyon Brown
  • Caleb
Antagonists
  • Prince Phobos
  • Lord Cedric
  • Nerissa
  • C.H.Y.K.N.
  • Miranda
Settings
  • Kandrakar
  • Meridian
  • BasilĂ­ade

Read more about this topic:  Cornelia Hale

Famous quotes containing the words differences, comic, book and/or series:

    No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description.... But, then, the radicalness of these differences ... these things ... were strongly corroborative of suspicion.
    Edgar Allan Poe (1809–1849)

    What the Journal posits is not the tragic question, the Madman’s question: “Who am I?”, but the comic question, the Bewildered Man’s question: “Am I?” A comic—a comedian, that’s what the Journal keeper is.
    Roland Barthes (1915–1980)

    A big leather-bound volume makes an ideal razorstrap. A thin book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)