Coral Browne - Notable Stage

Notable Stage

  • A Warm Corner Comedy Theatre, Mebourne c. 1930
  • The Roof Comedy Theatre, Mebourne 1931
  • Loyalties Comedy Theatre, Mebourne May 1931
  • Hay Fever
  • The Quaker Girl
  • The Apple Cart
  • Dear Brutus
  • Hedda Gabler
  • Children in Uniform Melbourne
  • Command to Love Melbourne
  • Mated 1934 or 1935
  • Lover's Leap, Vaudeville Theatre London 1935
  • Basalik, London Arts Theatre Club 1935
  • Desirable Residence, Embassy Theatre London 1935
  • Heroes Don't Care, St. Martin's Theatre, London 10 June 1936
  • The Taming of the Shrew, New London Theatre 1936–1937
  • The Great Romancer, New London Theatre 1937
  • The Gusher, Prince's Theatre, London 1937
  • Believe It Or Not, New Theatre, London March 1940
  • The Man Who Came to Dinner, Theatre Royal, Birmingham, England, 17 November 1941
  • The Man Who Came to Dinner, Savoy Theatre, London, 4 December 1941–42
  • My Sister Eileen, Savoy Theatre, London, 1943
  • The Last of Mrs. Cheyney, Savoy Theatre, London 1943–44
  • Lady Frederick, Savoy Theatre, London, November 1946
  • Lady Frederick, Grand Theatre, Blackpool, 21 April 1947
  • Lady Frederick, Theatre Royal, Brighton, 16 June 1947
  • Canaries Sometimes Sing, Grand Theatre, Blackpool, 3 November 1947
  • Castle in the Air, Adelphi Theatre, London, 1949–50
  • Othello, Old Vic Theatre, London, 31 October 1951
  • King Lear, Old Vic, London, 3 March 1952
  • Affairs of State, Theatre Royal, Brighton, 28 July 1952
  • Affairs of State, Cambridge Theatre, Cambridge Circus, 21 August 1952
  • Affairs of State, Hippodrome, Bristol, 1953–54
  • Simon And Laura, Strand Theatre, London, 1954
  • Nina Theatre Royal Haymarket, London, 27 July 1955
  • Macbeth Old Vic, London, 1955–56
  • Macbeth Hippodrome, Bristol, 1955–56
  • Tamburlaine the Greatm Playbill Winter Garden Theatre, New York, 19 January - 4 February 1956
  • Tamburlaine the Great, Stratford, Ontario, Canada
  • Macbeth, Winter Garden Theatre, New York, 29 October 1956 – 12 January 1957
  • Troilus and Cressida, Winter Garden Theatre, New York, 26 December 1956 – 12 January 1957
  • Hamlet, Old Vic, London, 1957–58
  • A Midsummer Night's Dream, Old Vic, London, 1957–58
  • The Pleasure of His Company, Theatre Royal Haymarket, London, 1957–58
  • Toys In The Attic, Piccadilly Theatre, London, 10 November 1960
  • Bonne Soupe, The Comedy Theatre London, 1960
  • Bonne Soupe, New Theatre, Oxford, 26 September 1961
  • Bonne Soupe, Wyndham's Theatre London, 13 February 1962
  • The Rehearsal, Royale Theatre, New York, 23 September - 28 December 1963
  • The Right Honourable Gentleman, Billy Rose Theatre, New York, 19 October 1965 – 22 January 1966
  • Lady Windermere's Fan, Phoenix Theatre, London, 1966
  • Lady Windermere's Fan, Theatre Royal, Brighton, 23 August 1966
  • What the Butler Saw, Queen's Theatre, London, 1969
  • My Darling Daisy, Lyric Theatre, London, 1970
  • Mrs. Warren's Profession, Old Vic, London, 1970–71
  • The Sea, Royal Court, London, 1973–74
  • The Waltz of the Toreadors Theatre Royal Haymarket, London, 1974
  • Ardèle, Queen's Theatre, London, 1975
  • Charley's Aunt, Cirque Dinner Theatre, Seattle, 12 August 1975
  • Charley's Aunt Granny's Dinner Theatre, Dallas, 16 March – 10 April 1976
  • Charley's Aunt, National U.S. tour, 10 May – 26 June 1976
  • The Importance of Being Earnest, Mark Taper Forum, Los Angeles, 1976
  • Travesties, Mark Taper Forum, Los Angeles, 1976

Read more about this topic:  Coral Browne

Famous quotes containing the words notable and/or stage:

    “In one notable instance, where the United States Army and a hundred years of persuasion failed, a highway has succeeded. The Seminole Indians surrendered to the Tamiami Trail. From the Everglades the remnants of this race emerged, soon after the trail was built, to set up their palm-thatched villages along the road and to hoist tribal flags as a lure to passing motorists.”
    —For the State of Florida, U.S. public relief program (1935-1943)

    “The post-office appeared a singularly domestic institution here. Ever and anon the stage stopped before some low shop or dwelling, and a wheelwright or shoemaker appeared in his shirt- sleeves and leather apron, with spectacles newly donned, holding up Uncle Sam’s bag, as if it were a slice of home-made cake, for the travelers, while he retailed some piece of gossip to the driver, really as indifferent to the presence of the former as if they were so much baggage.”
    —Henry David Thoreau (1817–1862)