Contact Press Images - Selected Monographs By Contact Press Images Photographers

Selected Monographs By Contact Press Images Photographers

  • "Too Much Time: Women in Prison", by Jane Evelyn Atwood, Phaidon Press (March 2000), ISBN 0-7148-3973-6
  • "Do or Die", by Martine Barrat, Viking Adult (October 1993), ISBN 0-670-84325-3
  • "The British", by Nick Danziger, Harper Collins UK (June 2002), ISBN 0-00-257160-9
  • "Fight", by Stephen Dupont, Edition Braus (December 2003), ISBN 3-89904-061-9
  • "Des Hommes", by Giorgia Fiorio, Marval (2003), ISBN 2-86234-341-2
  • "Afterwar: Veterans from a World in Conflict", by Lori Grinker, de.MO (April 2005), ISBN 0-9705768-7-0
  • "Tango: Never Before Midnight", by Adriana Groisman, Editions Lariviere (2004), ISBN 978-987-9395-20-2
  • "Just Another War", by Kenneth Jarecke, Exene Cervenka, Zezene Cervenka, Bedrock Press (September 1995), ISBN 0-9634784-1-9
  • "A Photographer's Life: 1990-2005", by Annie Leibovitz, Random House (October 2003), ISBN 0-375-50509-1
  • "Red-Color News Soldier", by Li Zhensheng, Phaidon Press (October 2003), ISBN 0-7148-4308-3
  • "Don McCullin in Africa", by Don McCullin, Random House UK (September 2005), ISBN 0-224-07514-4
  • "Sebastiao Salgado: Migrations", by Sebastiao Salgado, Aperture (June 2005), ISBN 0-89381-891-7
  • "Elvis at 21: New York to Memphis", by Alfred Wertheimer, Insight Editions (October 2006), ISBN 1-933784-01-6
  • "Windows of the Soul: My Journeys in the Muslim World", text and photos by Alexandra Avakian, National Geographic Books (October 2008)

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Famous quotes containing the words selected, monographs, contact, press and/or images:

    “She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he “hooked” a doughnut.”
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    “Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.”
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    “To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm’s way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.”
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    “I tell it stories now and then
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