Characters
Conrad Tesdinic: Conrad decides to take an alias at Stallery, and calls himself "Conrad Grant", as "Grant" is his uncle Alfred's surname. Christopher suspects this is false, and so calls him "Grant" in a superior and often sarcastic way all throughout the book. Conrad's uncle runs the bookshop in town, and so he has a great love of books – which makes the pulling of the possibilities very irritating for him, as the book titles and minor details within the books change overnight. He brings his camera with him to Stallery and makes great use of it.
Christopher Chant: Christopher also has an alias: "Christopher Smith". The character we see here is around fifteen, older than in The Lives of Christopher Chant, but younger than in the other Chrestomanci books. He is witty, confident, charming, he also seems to have a very soft spot for Millie. Christopher can often talk his way out of a situation, even though he goes rather vague at times...
Millie: Christopher's friend. She becomes lost in the possibilities at Stallery while running away from boarding school. Christopher's chief reason for coming to Stallery is to find her. When found by Conrad she becomes a maid for a while.
Mr. Amos: The pear-shaped, severe butler of Stallery. He insists on discipline and impeccable dress at all times. But even through his reiteration of and insistence on a servant's place, Conrad and Christopher cannot help but feel that there is more to his place than he is letting on.
Anthea Tesdinic: Conrad's sister, who left home a few years before the bulk of the story. Appears again in a sticky mess she can't see.
Count Robert: The supposed owner of Stallery who marries Anthea. His real name is Robert Brown.
Read more about this topic: Conrad's Fate
Famous quotes containing the word characters:
“Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.”
—Dylan Thomas (1914–1953)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“My characters never die screaming in rage. They attempt to pull themselves back together and go on. And that’s basically a conservative view of life.”
—Jane Smiley (b. 1949)