Columbia Records MS 7222 (released 1969, deleted 1973) Studies Nos. 2, 7, 8, 10, 12, 15, 19, 21, 23, 24, 25, 33. Recorded at the composer's studio under his supervision. Includes the original version of Study #10.
1750 Arch Records (recorded 1977) produced by Charles Amirkhanian and originally released on 4 LPs between 1977 and 1984. These are the only available recordings using Nancarrow's original instruments: two 1927 Ampico player pianos, one with metal-covered felt hammers and the other with leather strips on the hammers, representing the most faithful reproduction of what Nancarrow heard in his own studio.
Nancarrow's entire output for player piano has been recorded and released on the German Wergo label in 1989–1991.
In 1993, BMG released a CD (090262611802) of works by Nancarrow (Studies for Player Piano, Tango, Toccata, Piece No.2 for Small Orchestra, Trio, Sarabande & Scherzo) played by Ensemble Modern, conducted by Ingo Metzmacher.
In July 2008, Other Minds Records released a newly remastered version of the 1750 Arch Records recordings on 4 CDs. The 4-CD set includes a 52-page booklet with the original liner notes by James Tenney, an essay by producer Charles Amirkhanian and 24 illustrations.
A recording of "Study #7", arranged for orchestra, was performed by the London Sinfonietta and included on their 2006 CD Warp Works & Twentieth Century Masters.
Read more about this topic: Conlon Nancarrow
Other articles related to "recording, recordings":
... as the premier trombonist in the booming recording industry and in 1954 he was voted the "New Star" trombonist in the International Critics Poll from Down Beat magazine ... not shown by these previous trombonists in their recordings ... He was voted "Most Valuable Player" several times by the National Academy of Recording Arts and Sciences ...
... sung by some of the most famous interpreters of Calaf appear on the following compilation recordings ... For full-length recordings of the opera, see Turandot discography.) The Very Best of Beniamino Gigli (EMI Classics) The Very Best of Jussi Björling (EMI ...
... Eddy made more than 290 recordings between 1935 and 1964, singing songs from his films, plus opera, folk songs, popular songs, Gilbert and Sullivan, and traditional arias from his concert repertoire ... Eddy's recordings drew rave reviews during the 1930s and 1940s, but it is a special tribute to his vocal technique that he continued to rate them into the 1960s ... Proof is his newest recording on the Everest label, ‘Of Girls I Sing’ ...
... The International Standard Recording Code (ISRC), defined by ISO 3901, is an international standard code for uniquely identifying sound recordings and music video recordings ... Note that an ISRC code identifies a particular recording, not the work itself ... Therefore, different recordings, edits, and remixes of the same work will each have their own ISRC code ...
... Gaisberg, by then working as a piano accompanist and recording supervisor for Emile Berliner, left New York for London to join the Gramophone Company as its first recording engineer ... He landed in Liverpool with recording outfit, a $25 bicycle and introductions and instructions from Berliner ... Among his first recordings in London were several made by Syria Lamonte, an Australian singer working at Rules Restaurant in Maiden Lane ...
Famous quotes containing the word recordings:
“All radio is dead. Which means that these tape recordings Im making are for the sake of future history. If any.”
—Barré Lyndon (18961972)