Antipathy Towards The Conga After Independence
In the early years after the establishment of the Republic of Cuba in 1902, there were numerous decrees by successive mayors of Santiago de Cuba banning “African drums and tangos.” (Pérez I 1988:177, etc.) Apparently, these decrees were not faithfully enforced:
“In spite of the prohibitive proclamation, the tumbas echoed loudly everywhere, including in the most central and heavily-traveled areas. And together with the raucous and uncouth sound of the African tumba, the well-known arrolladera displayed its contortions.” (Pérez I 1988:254)
According to Pérez,
“Although the prohibition of African manifestations was reiterated, the comparsas were permitted. In reality, it was just a question of maintaining on paper that which could not really be enforced due to the express desire of the bourgeoisie, to whom these manifestations were a diversion, ‘something colorful’ and amusing.” (Pérez I 1988:179, note 13)
Read more about this topic: Conga (comparsa)
Famous quotes containing the words antipathy and/or independence:
“Women are quite capable of entering into a friendship with a man, but to keep it going—that takes a little physical antipathy as well.”
—Friedrich Nietzsche (1844–1900)
“... we’re not out to benefit society, to remold existence, to make industry safe for anyone except ourselves, to give any small peoples except ourselves their rights. We’re not out for submerged tenths, we’re not going to suffer over how the other half lives. We’re out for Mary’s job and Luella’s art, and Barbara’s independence and the rest of our individual careers and desires.”
—Anne O’Hagan (1869–?)