Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The Anti-Confronted animals is the opposing motif. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork.
In ancient artwork, confronted-animal motifs often involve a central figure between two confronted animals, and are probably part of a unified socio-cultural motif. It is thought that the iconography sometimes has ritual and religious associations; for example, the Lion Gate of Mycenae has a column between the protective, surmounted and confronted lionesses standing with two feet on the ground and two on the same base on which the column rests. The column is thought to represent a goddess, abstracted to avoid tabooed direct representation.
Read more about Confronted Animals: Gebel El-Arak Knife
Famous quotes containing the words confronted and/or animals:
“It is a most curious experience for a man of seventy-two to be confronted with the greenhorn enthusiasms of his youth. Young people think they are so smart. Alas the doctrines they spout with such fervor turn out to be mostly parroted from their elders.”
—John Dos Passos (1896–1970)
“The alcoholic trance is not just a haze, as though the eyes were also unshaven. It is not a mere buzzing in the ears, a dizziness or disturbance of balance. One arrives in the garden again, at nursery time, when the gentle animals are fed and in all the world there are only toys.”
—William Gass (b. 1924)