Classical Tragedy
The form of tragedy described as best by Aristotle and exemplified by Oedipus the King is, properly, concerned more with the tragic operations of fate than with a thematized conflict between good and evil. Nevertheless, the conflict between the good and the flawed aspects of the tragic hero form an important part of tragic catharsis in Aristotle's theory. There is, moreover, the form of tragedy with a happy ending that, although denigrated from Aristotle, was quite common in antiquity. This form, perhaps best exemplified by the Alcestis of Euripides, ends with a hero or god decisively beating an evil character. Northrop Frye has suggested that this form of "tragedy" is, in fact, the basic template for melodrama.
Read more about this topic: Conflict Between Good And Evil
Famous quotes containing the words classical and/or tragedy:
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“The tragedy of machismo is that a man is never quite man enough.”
—Germaine Greer (b. 1939)