Confessional poetry emphasizes the intimate, and sometimes unflattering, information about details of the poet's personal life, such as in poems about mental illness, sexuality, and despondence. The confessionalist label was applied to a number of poets of the 1950s and 1960s. John Berryman, Allen Ginsberg, Robert Lowell, Sylvia Plath, Anne Sexton, and W.D. Snodgrass have all been called "Confessional Poets". Some key texts of the American "confessional" school of poetry include Lowell's Life Studies, Plath's Ariel, Berryman's The Dream Songs, Snodgrass' Heart's Needle, and Sexton's To Bedlam and Part Way Back. One of the most prominent consciously "confessional" poets to emerge in the 1980s was Sharon Olds whose focus on taboo sexual subject matter built off of the work of Ginsberg. Confessional poetry is the poetry of the personal or "I." This style of writing emerged in the late 1950s and early 1960s and is associated with poets such as Robert Lowell, Sylvia Plath, Anne Sexton, and W.D. Snodgrass. Lowell's book Life Studies was a highly personal account of his life and familial ties, and had a significant impact on American poetry. Plath and Sexton were both students of Lowell and noted that his work influenced their own writing.
The confessional poetry of the mid-twentieth century dealt with subject matter that previously had not been openly discussed in American poetry. Private experiences with and feelings about death, trauma, depression and relationships were addressed in this type of poetry, often in an autobiographical manner. Sexton in particular was interested in the psychological aspect of poetry, having started writing at the suggestion of her therapist.
The confessional poets were not merely recording their emotions on paper; craft and construction were extremely important to their work. While their treatment of the poetic self may have been groundbreaking and shocking to some readers, these poets maintained a high level of craftsmanship through their careful attention to and use of prosody.
One of the most well-known poems by a confessional poet is "Daddy" by Sylvia Plath. Addressed to her father, the poem contains references to the Holocaust but uses a sing-song rhythm that echoes the nursery rhymes of childhood:
Daddy, I have had to kill you. You died before I had time-- Marble-heavy, a bag full of God, Ghastly statue with one gray toe Big as a Frisco seal Another confessional poet of this generation was John Berryman. His major work was The Dream Songs, which consists of 385 poems about a character named Henry and his friend Mr. Bones. Many of the poems contain elements of Berryman's own life and traumas, such as his father's suicide. Below is an excerpt from "Dream Song 1":
All the world like a woolen lover once did seem on Henry's side. Then came a departure. Thereafter nothing fell out as it might or ought. I don't see how Henry, pried open for all the world to see, survived. The confessional poets of the 1950s and 1960s pioneered a type of writing that forever changed the landscape of American poetry. The tradition of confessional poetry has been a major influence on generations of writers and continues to this day; Marie Howe and Sharon Olds are two contemporary poets whose writing largely draws upon their personal experience.
Other articles related to "confessional poetry, confessional, poetry":
... Confessional free verse poetry became the popular approach in the second half of the 20th-century American poetry due, in large part, to the popularity of. 1970s and 1980s, leading some poets and entire poetry movements to go out of their way to avoid writing in the confessional mode ... school, Robert Bly, was highly critical of what he perceived to be the solipsistic tendencies of Confessional poets ...
... administrative wrath, Malay Roy Choudhury introduced Confessional poetry in Bengali literature ... The poem defied the forms of lyric poetry (sonnet, villanel, minnesang, pastourelle, canzone, stew etc.) as well as Bengali meters (Matrabritto and Aksharbritto), retaining, however, its content vehicle ...
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“A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.”
—W.H. (Wystan Hugh)