Release and Reception
The work was premiered by the New York Symphony Orchestra with Damrosch conducting (three years later the orchestra would merge with the Philharmonic Symphony Society into the New York Philharmonic Orchestra) at Carnegie Hall in New York on December 3, 1925, and featured the composer as the soloist. The concert was sold out and the concerto was very well received by the general public. However, the reviews were mixed, with many critics unable to classify it as jazz or classical. Indeed, there was a great variety of opinion among Gershwin's contemporaries; Igor Stravinsky thought the work was one of genius, whereas Sergei Prokofiev disliked it intensely.
Read more about this topic: Concerto In F (Gershwin)
Famous quotes containing the words release and, release and/or reception:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“The steel decks rock with the lightning shock, and shake with the
great recoil,
And the sea grows red with the blood of the dead and reaches for his spoil—
But not till the foe has gone below or turns his prow and runs,
Shall the voice of peace bring sweet release to the men behind the
guns!”
—John Jerome Rooney (1866–1934)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)