Concerto For Free Bass Accordion

Concerto for Free Bass Accordion was written for the solo Free-bass system accordion by John Serry, Sr. in 1964 and was revised in 1966. A transcription for solo piano was completed in 1995 and revised in 2002. Written in the classical music concerto form, it illustrates the wide ranging orchestral qualities of the free bass accordion and underscores the suitability of the instrument for performances as a robust solo instrument on the classical concert stage.

The work was copyright by the composer as the Concerto in C Major for Bassetti Accordion in 1968 and dedicated to Julio Giulietti (a leading promoter of the instrument in the United States). The work is noteworthy in so far as it represents an attempt on the part of a known musician to complete a classical composition for an instrument for which relatively little classical music was written in America during the early 20th century. (See Accordion Use in Classical music & Accordion music genres)

The composition is written in the traditional concerto form of three movements but without orchestral ensemble. It was the composer's intention to illustrate the vast orchestral tonalities and harmonic flexibility of the free bass instrument by showcasing its potential as both a solo instrument as well as an orchestral entity. With this in mind, the composer assigned the voicing normally reserved for the orchestra to the accordion soloist along with the traditional virtuoso solo passages.

The resulting composition is unorthodox in its structure but provides the virtuoso soloist with an opportunity to give full expression to the instrument's complete array of harmonic reed settings which reach from the high flutes through the oboe range into the clarinet settings and ultimately into the range of the violin and cello settings. This wide array of orchestral harmonics is artistically expressed for solo instrument throughout the composition (See Accordion).

The score was premiered by a student of the composer (Joseph Nappi) during the American Accordionists Association's United States Championship Competition on Long Island, New York in 1964. Included among the official jury members reviewing the composition was the accordionist Charles Magnante - a founding member of the American Accordionists' Association. The composition was subsequently transcribed for solo piano in 1995 by the composer and revised in 2002. It is described in the revised piano version below. Copies of the score have been donated for the benefit of students at the Eastman School of Music's Sibley Music Library within the Ruth T. Watanabe Special Collections Department.