Computer-animated Television Series - Modeling Human Faces

Modeling Human Faces

Main article: Computer facial animation

The realistic modeling of human facial features is both one of the most challenging and sought after elements in computer-generated imagery. Computer facial animation is a highly complex field where models typically include a very large number of animation variables. Historically speaking, the first SIGGRAPH tutorials on State of the art in Facial Animation in 1989 and 1990 proved to be a turning point in the field by bringing together and consolidating multiple research elements, and sparked interest among a number of researchers.

The Facial Action Coding System (with 46 action units such as "lip bite" or "squint") which had been developed in 1976 became a popular basis for many systems. As early as 2001 MPEG-4 included 68 facial animation parameters for lips, jaws, etc., and the field has made significant progress since then and the use of facial microexpression has increased.

In some cases, an affective space such as the PAD emotional state model can be used to assign specific emotions to the faces of avatars. In this approach the PAD model is used as a high level emotional space, and the lower level space is the MPEG-4 Facial Animation Parameters (FAP). A mid-level Partial Expression Parameters (PEP) space is then used to in a two level structure: the PAD-PEP mapping and the PEP-FAP translation model.

Read more about this topic:  Computer-animated Television Series

Famous quotes containing the words modeling, human and/or faces:

    The computer takes up where psychoanalysis left off. It takes the ideas of a decentered self and makes it more concrete by modeling mind as a multiprocessing machine.
    Sherry Turkle (b. 1948)

    The evolution of humans can not only be seen as the grand total of their wars, it is also defined by the evolution of the human mind and the development of the human consciousness.
    Friedrich Dürrenmatt (1921–1990)

    You could see his sunglasses scanning those faces as they passed, and he must have decided that Rikki’s was the one he was waiting for, the wild card and the luck changer. The new one.
    William Gibson (b. 1948)