Complication (horology)
In horology (study of clocks), complication refers to any feature in a timepiece beyond the simple display of hours, minutes, and seconds.
A timepiece indicating only hours, minutes, and seconds is otherwise known as a simple movement. Common additions such as day/date displays, chronographs, and automatic winding mechanisms are usually not sufficient to permit a movement to be called complicated. Moreover, that a watch movement may be a Certified Chronometer does not itself count as a complication.
The more complications in a watch, the more difficult it is to design, create, assemble, and repair. A typical date-display chronograph may have up to 250 parts, while a particularly complex watch may have a thousand or more parts. Watches with several complications are referred to as grandes complications.
The initial ultra-complicated watches appeared due to watchmakers' ambitious attempts to unite a great number of functions in a case of a single timepiece. The mechanical clocks with a wide range of functions, including astronomical indications, suggested ideas to the developers of the first pocket watches. As a result, as early as in the 16th century, the horology world witnessed the appearance of numerous complicated, and even ultra-complicated, watches.
Ultra-complicated watches are produced in strictly limited numbers, with some built as unique instruments. Some watchmaking companies known for making ultra-complicated watches are Breguet, Patek Philippe, and Vacheron Constantin.
Read more about Complication (horology): Examples, Nonhorological Complications, Grand Complications
Famous quotes containing the word complication:
“Where do whites fit in the New Africa? Nowhere, I’m inclined to say ... and I do believe that it is true that even the gentlest and most westernised Africans would like the emotional idea of the continent entirely without the complication of the presence of the white man for a generation or two. But nowhere, as an answer for us whites, is in the same category as remarks like What’s the use of living? in the face of the threat of atomic radiation. We are living; we are in Africa.”
—Nadine Gordimer (b. 1923)