Comic Book Letter Column - History

History

Although they were already standard in the science fiction magazines of the time, the first recorded comic book letter column appeared in Target Comics #6, published by Novelty Press in 1940. (The page in question also has an early mention of comic book collecting.) The first DC Comics comic to include a letters column was Real Fact Comics #3 (Jul-Aug 1946). The first DC title with a letters column as a regular feature was Superman beginning with issue #124 (September 1958).

Early versions of the lettercol tended to be simple fan letters, often from young readers. These letters tended to be praise for the previous issue's story and artwork; or simplistic questions about the correct pronunciation of "Mxyzptlk" or where Superman put his Clark Kent clothes when he was in costume; or alternately, obsessive dissections of perceived continuity errors or art mistakes.

Letter columns came into their prime in the 1960s, when readers' letters became longer and the discussions more sophisticated. For example, in the mid-1960s longtime letter writer (and future comics historian) Peter Sanderson's lengthy, well-reasoned, and impressively erudite missives forced DC editor Julie Schwartz to expand the lettercols in his books to a second, separate page (such as "Flash-Grams — Extra", "Letters To the Batcave — Extra", and "JLA Mailroom — Special Peter Sanderson Edition") to facilitate Sanderson's sharp analysis.

By the 1970s, nearly all mainstream comics included letter pages. Historian Matthew J. Pustz describes the different approaches of the two major publishers:

There were, however, important differences between the lettercols published by DC and Marvel. In many DC comics, letters were shortened, excerpted, or compiled into lists of suggested guest stars. Marvel letters pages, conversely, often contained very long letters in which fans praised, criticized, or offered detailed suggestions. Unlike DC editors, who referred to readers as 'them,' the editors of Marvel's letters pages frequently directly addressed their fans, often using the inclusive 'we' or 'us.' . . . Negative letters were common, but the criticism often differed. While Marvel fans' criticism could be very pointed, focusing on the work of particular writers and artists or even the company's whole output, negative letters from DC fans were usually mild. . . . By the early 1980s, though, DC letter columns began to become more like Marvel's, with longer letters that privileged content and commentary over simple reaction. By the late 1980s and early 1990s, Marvel letter pages had lost much of their critical edge, with DC lettercols taking up the slack.

As the letter column became a longstanding tradition in the mainstream comic book industry, it even became a feature of underground, independent, and alternative comics of the 1970s and 80s. By the first few years of the 21st century, as comic-related forums sprang up all over the Internet, letter columns were gradually replaced by advertisements or in-house promotions. In 2002, DC officially ended the practice of the letter page. Ironically, many independent titles (such as Dark Horse's Usagi Yojimbo and Hellboy, Drawn and Quarterly's Optic Nerve and Palooka-ville, and the independently published King-Cat Comics) still feature letters pages to this day.

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