Critical Reception
Billboard.com described the song as "Sexy and flirtatious" adding that "'Come On Over' is everything it needs to be—undeniably country and not forced. Under watchful maestro John Shanks and Brett James, Simpson shines on a steel guitar-laden track that finds her pleading with a beau to drop everything for a little loving." Rolling Stone said that "Surprisingly, her first twangy single is a slick treat", and that "Simpson keeps it simple and on a Shania Twain-esque foot-stomper built on energetic acoustic and slide guitars."
Jim Malec of The 9513 gave the song a "thumbs down" review, as he thought that the lyrics were "three minutes of step-by-step instructions pertaining to the exact method by which you will leave your house/apartment", "one of the most pointless songs ever heard", and "like something a fifth-grader would write". He also felt that the song's steel guitars were gratuitous, and that overall, the production was "straightforward proto-pop".
The song was nominated for a 2008 CMT fan-voted online award in the category of best "(What? I've Always Been Country) Crossover Artist", but lost to Darius Rucker's "Don't Think I Don't Think About It."
Read more about this topic: Come On Over (Jessica Simpson Song)
Famous quotes containing the words critical and/or reception:
“You took my heart in your hand
With a friendly smile,
With a critical eye you scanned,
Then set it down,
And said: It is still unripe,
Better wait awhile;”
—Christina Georgina Rossetti (1830–1894)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)