Come On Over (Jessica Simpson Song) - Critical Reception

Critical Reception

Billboard.com described the song as "Sexy and flirtatious" adding that "'Come On Over' is everything it needs to be—undeniably country and not forced. Under watchful maestro John Shanks and Brett James, Simpson shines on a steel guitar-laden track that finds her pleading with a beau to drop everything for a little loving." Rolling Stone said that "Surprisingly, her first twangy single is a slick treat", and that "Simpson keeps it simple and on a Shania Twain-esque foot-stomper built on energetic acoustic and slide guitars."

Jim Malec of The 9513 gave the song a "thumbs down" review, as he thought that the lyrics were "three minutes of step-by-step instructions pertaining to the exact method by which you will leave your house/apartment", "one of the most pointless songs ever heard", and "like something a fifth-grader would write". He also felt that the song's steel guitars were gratuitous, and that overall, the production was "straightforward proto-pop".

The song was nominated for a 2008 CMT fan-voted online award in the category of best "(What? I've Always Been Country) Crossover Artist", but lost to Darius Rucker's "Don't Think I Don't Think About It."

Read more about this topic:  Come On Over (Jessica Simpson Song)

Famous quotes containing the words critical and/or reception:

    The principle goal of education in the schools should be creating men and women who are capable of doing new things, not simply repeating what other generations have done; men and women who are creative, inventive and discoverers, who can be critical and verify, and not accept, everything they are offered.
    Jean Piaget (1896–1980)

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)