Combined Sewers in Popular Culture
The image of the sewer recurs in European culture as they were often used as hiding places or routes of escape by the scorned or the hunted, including partisans and resistance fighters in World War II. Fighting erupted in the sewers during the Battle of Stalingrad. The only survivors from the Warsaw Uprising and Warsaw Ghetto made their final escape through city sewers. Some have commented that the engravings of imaginary prisons by Piranesi were inspired by the Cloaca Maxima, one of the world's earliest sewers.
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Famous quotes containing the words combined, sewers, popular and/or culture:
“... overconfidence in one’s own ability is the root of much evil. Vanity, egoism, is the deadliest of all characteristics. This vanity, combined with extreme ignorance of conditions the knowledge of which is the very A B C of business and of life, produces more shipwrecks and heartaches than any other part of our mental make-up.”
—Alice Foote MacDougall (1867–1945)
“I counted two and seventy stenches,
All well defined and several stinks!
Ye Nymphs that reign o’er sewers and sinks,
The river Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, Nymphs! what power divine
Shall henceforth wash the river Rhine?”
—Samuel Taylor Coleridge (1772–1834)
“You seem to think that I am adapted to nothing but the sugar-plums of intellect and had better not try to digest anything stronger.... a writer of popular sketches in magazines; a lecturer before Lyceums and College societies; a dabbler in metaphysics, poetry, and art, than which I would rather die, for if it has come to that, alas! verily, as you say, mediocrity has fallen on the name of Adams.”
—Henry Brooks Adams (1838–1918)
“... we’ve allowed a youth-centered culture to leave us so estranged from our future selves that, when asked about the years beyond fifty, sixty, or seventy—all part of the average human life span providing we can escape hunger, violence, and other epidemics—many people can see only a blank screen, or one on which they project fear of disease and democracy.”
—Gloria Steinem (b. 1934)