The Columbia City Jazz Dance Company (CCJC) was formed in 1990 by artistic director Dale Lam and was named one of the "Top 50 Dance Companies in the USA" by Dance Spirit magazine for the 2002/2003 season. The Company has an active community outreach program and performs over 20 performances each year in Columbia and smaller cities in South Carolina, often performing for audiences that may have never seen a dance performance of any kind.
In addition to public performances in South Carolina communities and schools, CCJC completed a five week tour of China during July 2006, 30 shows in Singapore during the winter of 2000, danced for the European Cultural Month festivities in Plovdiv, Bulgaria, the 1999 Tanzsommer Festival in Innsbruck, Austria, and has performed during the Piccolo Spoleto Festival in Charleston, S.C. for a number of years.
CCJC holds an established "Master Instructor Series" each year by bringing in a number of internationally known guest artists to teach master classes, which are open to any dancer from any studio that wishes to attend. Past instructors have included Nick Lazzarini, Danny Tidwell, Travis Wall, Ivan Koumaev, Mia Michaels, Mandy Moore, Ray Leeper, Desiree Robbins, Doug Caldwell, Liz Imperio, Jason Parsons, A.C. Ciulla, Dee Caspary, and others.
Entry into CCJC is by audition, which is held at the end of each season in May, and again at the beginning of the season in late July or August.
The Columbia City Jazz Dance Company is supported in part through a Tier III Grant made possible by contributors to the United Arts Fund of the Cultural Council of Richland and Lexington Counties, the City of Columbia, and the South Carolina Arts Commission, which receives funding from the National Endowment of the Arts.
Famous quotes containing the words columbia, city, jazz, dance and/or company:
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for womens broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (18261903)
“I counted two and seventy stenches,
All well defined and several stinks!
Ye Nymphs that reign oer sewers and sinks,
The river Rhine, it is well known,
Doth wash your city of Cologne;
But tell me, Nymphs! what power divine
Shall henceforth wash the river Rhine?”
—Samuel Taylor Coleridge (17721834)
“He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co- ordinate grid system laid over it. The instructor could point to different parts of her and say, Give me the co-ordinates.... The Major could see every unit in the Army using his idea.... Hot dog!”
—Norman Mailer (b. 1923)
“Is that dance slowing in the mind of man
That made him think the universe could hum?”
—Theodore Roethke (19081963)
“The old idea that the joke was not good enough for the company has been superseded by the new aristocratic idea that the company was not worthy of the joke. They have introduced an almost insane individualism into that one form of intercourse which is specially and uproariously communal. They have made even levities into secrets. They have made laughter lonelier than tears.”
—Gilbert Keith Chesterton (18741936)