The Columbia City Jazz Dance Company (CCJC) was formed in 1990 by artistic director Dale Lam and was named one of the "Top 50 Dance Companies in the USA" by Dance Spirit magazine for the 2002/2003 season. The Company has an active community outreach program and performs over 20 performances each year in Columbia and smaller cities in South Carolina, often performing for audiences that may have never seen a dance performance of any kind.
In addition to public performances in South Carolina communities and schools, CCJC completed a five week tour of China during July 2006, 30 shows in Singapore during the winter of 2000, danced for the European Cultural Month festivities in Plovdiv, Bulgaria, the 1999 Tanzsommer Festival in Innsbruck, Austria, and has performed during the Piccolo Spoleto Festival in Charleston, S.C. for a number of years.
CCJC holds an established "Master Instructor Series" each year by bringing in a number of internationally known guest artists to teach master classes, which are open to any dancer from any studio that wishes to attend. Past instructors have included Nick Lazzarini, Danny Tidwell, Travis Wall, Ivan Koumaev, Mia Michaels, Mandy Moore, Ray Leeper, Desiree Robbins, Doug Caldwell, Liz Imperio, Jason Parsons, A.C. Ciulla, Dee Caspary, and others.
Entry into CCJC is by audition, which is held at the end of each season in May, and again at the beginning of the season in late July or August.
The Columbia City Jazz Dance Company is supported in part through a Tier III Grant made possible by contributors to the United Arts Fund of the Cultural Council of Richland and Lexington Counties, the City of Columbia, and the South Carolina Arts Commission, which receives funding from the National Endowment of the Arts.
Famous quotes containing the words columbia, city, jazz, dance and/or company:
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for womens broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (18261903)
“The farmhouse lingers, though averse to square
With the new city street it has to wear
A number in. But what about the brook
That held the house as in an elbow-crook?”
—Robert Frost (18741963)
“Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a childrens party taken over by the elders.”
—F. Scott Fitzgerald (18961940)
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesnt seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (18891945)
“More company increases happiness, but does not lighten or diminish misery.”
—Thomas Traherne (16361674)