College of North West London - History

History

CNWL can trace it roots back to 1890, and the formation of Willesden Polytechnic, on the site of the current Kilburn campus.

From 1893, the Willesden committee for technical education organized classes in Willesden town hall. In 1896 Middlesex County Council bought the St. Lawrence institute in Priory Park Road, and by 1898 The Willesden Polytechnic was formed with 1,571 students. A new building was developed for the polytechnic, opening in 1904 on Glengall Road, Kilburn. As World War I took it toll on the male working class population, the polytechnic offered a course in 1917 to women between the ages of 18 to 35 inlight woodwork for aeroplane components.

From 1932, Middlesex County Council undertook a large development in Willesden, and in 1934 split the polytechnic into Kilburn Polytechnic (on the original site), and the new Willesden College of Technology. By 1934, the original St. Lawrence Institute building had been demolished, and replaced by the present four-story block. By 1978 there were 1,400 full-time and 4,500 part-time enrolments.

Willesden College of Technology opened in Denzil Road in 1934, to provide the technical courses originally provided by the polytechnic, including the schools of art and building. In 1964 the college took over the buildings of Dudden Hill Lane school. The art school closed in 1959, and in 1969 the school of building amalgamated with other schools to form Sladebrook high school. There were 8,000 enrolments in 1978.

In 1991, the sites again merged to become the College of North West London.

Read more about this topic:  College Of North West London

Famous quotes containing the word history:

    Man watches his history on the screen with apathy and an occasional passing flicker of horror or indignation.
    Conor Cruise O’Brien (b. 1917)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)