Hollywood
Although Colin Clive made only three horror films, Whale's two Frankenstein films and Mad Love (1935), he is widely regarded as one of the essential stars of the genre by many film buffs. His portrayal of mad Dr. Frankenstein has proved inspiration and a launching pad for scores of other mad scientist performances in films over the years.
Clive's first screen role, in Journey's End, was incidentally directed by James Whale. Clive played the alcoholic and tormented Captain Stanhope, a character that (much like Clive's other roles) tragically mirrored his personal life.
Clive was also an in-demand leading man for a number of major film actresses of the era, including Katharine Hepburn, Bette Davis, Corinne Griffith and Jean Arthur. He also starred as Edward Rochester in a 1934 adaptation of Jane Eyre opposite Virginia Bruce. He was related to Clive of India and appeared in a featured role in a film biography of his relative in 1935.
From June 1929 until his death, Clive was married to actress Jeanne de Casalis. Although she worked in films and on stage, her greatest success was as a comedienne on radio sitcoms in England, playing the dithering "Mrs. Feather". De Casalis did not accompany her husband to Hollywood. There has been speculation that de Casalis was a lesbian and Clive either gay or bisexual, meaning that they were in a lavender marriage. David Lewis, the longtime companion of Clive's frequent director James Whale, flatly states that Clive was not gay.
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Famous quotes containing the word hollywood:
“To say “I accept” in an age like our own is to say that you accept concentration-camps, rubber truncheons, Hitler, Stalin, bombs, aeroplanes, tinned food, machine guns, putsches, purges, slogans, Bedaux belts, gas-masks, submarines, spies, provocateurs, press-censorship, secret prisons, aspirins, Hollywood films and political murder.”
—George Orwell (1903–1950)
“Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.”
—Arthur Kroker (b. 1945)