Colin Cam Mackenzie of Kintail - Relationship With The Privy Council

Relationship With The Privy Council

A career like Mackenzie’s did not leave him without enemies and the records of the Privy Council are full of the complaints made by those aggrieved by him, including (for example) Christian Scrymgeour, widow of the Bishop of Ross, Henry, Lord Methven, Macdonell of Glengarry, Hugh Fraser of Guisachan, “the united burghs of the realm” and James Sinclair (the Master of Caithness).

However, it is clear that Mackenzie was a masterful navigator of the treacherous waters of 16th century Scottish politics. On 27 July 1588, he was appointed by a Convention of the Estates as a member of a Commission, charged with powers for executing the laws against Jesuits, Papists, and other delinquents, and with other extensive powers. On 24 May 1589, he was named as the Commissioner for Inverness-shire who was to convene the freeholders of the county for choosing the Commissioners to a Parliament to be held at Edinburgh on 2 October in that year. He was, along with Simon Lord Lovat, John Grant of Grant, Lachlan Mackintosh of Mackintosh, Ross of Balnagown, Hector Munro of Fowlis, and others, chosen an assistant Commissioner of justiciary for the counties of Elgin, Nairn, and Inverness, in March 1592-93.

He was appointed a member of the Privy Council in June 1592, but he appears not to have accepted the office on that occasion. However, he accepted the position soon after, for it is recorded under date of 5 July 1593, that "Colin Mackenzie of Kintail being admitted of the Privy Council gave his oath," in common form.

Read more about this topic:  Colin Cam Mackenzie Of Kintail

Famous quotes containing the words relationship with, relationship, privy and/or council:

    When a mother quarrels with a daughter, she has a double dose of unhappiness—hers from the conflict, and empathy with her daughter’s from the conflict with her. Throughout her life a mother retains this special need to maintain a good relationship with her daughter.
    Terri Apter (20th century)

    Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.
    Jonathan Raban (b. 1942)

    Before me you are a slug in the sun. You are privy to a great becoming and you recognize nothing. You are an ant in the afterbirth. It is in your nature to do one thing correctly: tremble.
    Michael Mann, U.S. screenwriter. Frances Dollarhyde, aka “The Tooth Fairy” (Tom Noonan)

    I haven’t seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were asked this week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company’s behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself.
    Anna Quindlen (b. 1952)