Cold reading is a term used by actors and other performers in theatre, television, film, and performance fields. A cold reading is a reading aloud from a script or other text without any rehearsal, practice or study in advance. It is also sometimes referred to as sight-reading.
Cold readings are employed frequently in actor auditions, to allow the employer or playwright to get a general idea of the actors' performing capabilities. They are also used for performance classes and by playwrights who need to hear their play read aloud by actors. Many actors and other performers and public speakers take classes and practice at length to improve the quality of their cold readings.
Cold reading can also be used in conjunction with improvisations to gauge a performer's ability to perform new works. A good dramatic cold reader is able to communicate with fluency and clarity and to project speech rhythms and rhymes well. He should also be able to bring out the intent, mood and characterization of a piece through appropriate articulation and body language.
Famous quotes containing the words cold and/or reading:
“Keep not your roses for my dead, cold brow
The way is lonely, let me feel them now.”
—Arabella Smith (1844–1916)
“To get time for civic work, for exercise, for neighborhood projects, reading or meditation, or just plain time to themselves, mothers need to hold out against the fairly recent but surprisingly entrenched myth that “good mothers” are constantly with their children. They will have to speak out at last about the demoralizing effect of spending day after day with small children, no matter how much they love them.”
—Wendy Coppedge Sanford. Ourselves and Our Children, by Boston Women’s Health Book Collective, introduction (1978)