Cold reading is a term used by actors and other performers in theatre, television, film, and performance fields. A cold reading is a reading aloud from a script or other text without any rehearsal, practice or study in advance. It is also sometimes referred to as sight-reading.
Cold readings are employed frequently in actor auditions, to allow the employer or playwright to get a general idea of the actors' performing capabilities. They are also used for performance classes and by playwrights who need to hear their play read aloud by actors. Many actors and other performers and public speakers take classes and practice at length to improve the quality of their cold readings.
Cold reading can also be used in conjunction with improvisations to gauge a performer's ability to perform new works. A good dramatic cold reader is able to communicate with fluency and clarity and to project speech rhythms and rhymes well. He should also be able to bring out the intent, mood and characterization of a piece through appropriate articulation and body language.
Famous quotes containing the words cold and/or reading:
“So often has my judgment deceived me in my life, that I always suspect it, right or wrong,—at least I am seldom hot upon cold subjects. For all this, I reverence truth as much as any body; and ... if a man will but take me by the hand, and go quietly and search for it ... I’ll go to the world’s end with him:MBut I hate disputes.”
—Laurence Sterne (1713–1768)
“After which you led me to water
And bade me drink, which I did, owing to your kindness.
You would not let me out for two days and three nights,
Bringing me books bound in wild thyme and scented wild grasses
As if reading had any interest for me ...”
—John Ashbery (b. 1927)