Cold reading is a term used by actors and other performers in theatre, television, film, and performance fields. A cold reading is a reading aloud from a script or other text without any rehearsal, practice or study in advance. It is also sometimes referred to as sight-reading.
Cold readings are employed frequently in actor auditions, to allow the employer or playwright to get a general idea of the actors' performing capabilities. They are also used for performance classes and by playwrights who need to hear their play read aloud by actors. Many actors and other performers and public speakers take classes and practice at length to improve the quality of their cold readings.
Cold reading can also be used in conjunction with improvisations to gauge a performer's ability to perform new works. A good dramatic cold reader is able to communicate with fluency and clarity and to project speech rhythms and rhymes well. He should also be able to bring out the intent, mood and characterization of a piece through appropriate articulation and body language.
Famous quotes containing the words cold and/or reading:
“He’s cold as a witch’s heart.”
—Edmund H. North, British screenwriter, and Lewis Gilbert. First Sea Lord (Laurence Naismith)
“Chaucer sawed life in half and out tumbled hundreds of unpremeditated lives, because he didn’t have the cast-iron grid of a priori coherence that makes reading Goethe, Shakespeare, or Dante an exercise in searching for signs of life among the conventions, compulsions, self-justifications, proofs, wise saws, simple but powerful messages, and poetry.”
—Marvin Mudrick (1921–1986)