Cold reading is a term used by actors and other performers in theatre, television, film, and performance fields. A cold reading is a reading aloud from a script or other text without any rehearsal, practice or study in advance. It is also sometimes referred to as sight-reading.
Cold readings are employed frequently in actor auditions, to allow the employer or playwright to get a general idea of the actors' performing capabilities. They are also used for performance classes and by playwrights who need to hear their play read aloud by actors. Many actors and other performers and public speakers take classes and practice at length to improve the quality of their cold readings.
Cold reading can also be used in conjunction with improvisations to gauge a performer's ability to perform new works. A good dramatic cold reader is able to communicate with fluency and clarity and to project speech rhythms and rhymes well. He should also be able to bring out the intent, mood and characterization of a piece through appropriate articulation and body language.
Famous quotes containing the words cold and/or reading:
“Continuous eloquence wearies.... Grandeur must be abandoned to be appreciated. Continuity in everything is unpleasant. Cold is agreeable, that we may get warm.”
—Blaise Pascal (1623–1662)
“The unlucky hand dealt to clear and precise writers is that people assume they are superficial and so do not go to any trouble in reading them: and the lucky hand dealt to unclear ones is that the reader does go to some trouble and then attributes the pleasure he experiences in his own zeal to them.”
—Friedrich Nietzsche (1844–1900)