Composition
Rhetoric is a term often used in reference to composition studies and pedagogy, a tradition that dates back to Ancient Greece. The emergence of Rhetoric as a teachable craft (techne) links rhetoric and composition pedagogy, notably in the tradition of Sophism. Aristotle collected Sophist handbooks on rhetoric and critiqued them in Synagoge Techne (fourth century BCE).
In Ancient Rome, the Greek Rhetorical tradition was absorbed and became vital to education, as rhetoric was valued in a highly political society with an advanced system of law, where speaking well was crucial to winning favor, alliances, and legal rulings.
Cognitive Rhetoricians focusing on composition (such as Linda Flower and John Hayes) draw from the paradigm, methods, and terms of cognitive science to build a pedagogy of composition, where writing is an instance of everyday problem-solving processes.
James A. Berlin has argued that by focusing on professional composition and communications and ignoring ideology, social-cognitive rhetoric--which maps structures of the mind onto structures of language and the interpersonal world--lends itself to use as a tool for training workers in corporate capitalism. Berlin contrasts Social-Cognitive Rhetoric with Social-Epistemic Rhetoric, which makes ideology the core issue of composition pedagogy.
Read more about this topic: Cognitive Rhetoric
Famous quotes containing the word composition:
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (18061861)
“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (18531890)
“Pushkins composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (18991977)