Cognitive Rhetoric - Composition

Composition

Rhetoric is a term often used in reference to composition studies and pedagogy, a tradition that dates back to Ancient Greece. The emergence of Rhetoric as a teachable craft (techne) links rhetoric and composition pedagogy, notably in the tradition of Sophism. Aristotle collected Sophist handbooks on rhetoric and critiqued them in Synagoge Techne (fourth century BCE).

In Ancient Rome, the Greek Rhetorical tradition was absorbed and became vital to education, as rhetoric was valued in a highly political society with an advanced system of law, where speaking well was crucial to winning favor, alliances, and legal rulings.

Cognitive Rhetoricians focusing on composition (such as Linda Flower and John Hayes) draw from the paradigm, methods, and terms of cognitive science to build a pedagogy of composition, where writing is an instance of everyday problem-solving processes.

James A. Berlin has argued that by focusing on professional composition and communications and ignoring ideology, social-cognitive rhetoric--which maps structures of the mind onto structures of language and the interpersonal world--lends itself to use as a tool for training workers in corporate capitalism. Berlin contrasts Social-Cognitive Rhetoric with Social-Epistemic Rhetoric, which makes ideology the core issue of composition pedagogy.

Read more about this topic:  Cognitive Rhetoric

Famous quotes containing the word composition:

    If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
    George Gordon Noel Byron (1788–1824)

    It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!
    Thomas Chatterton (1752–1770)

    Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.
    Vincent Van Gogh (1853–1890)