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Saint Roch's Plague Chapel

The Pestkapelle St. Rochus, also known as the Peterskapelle seems to have had its groundwork laid in the time when Archbishop Otto von Ziegenhain waived Cochem's customary taxes and levies for ten years on the occasion of the Plague. It is described in an engraving by Braun and Hogenberg as S. Pettersberg. Standing next to a small, rectangular chapel was a hostel. It is also possible that the red sandstone keystone set above the west portal comes from this time. Despite heavy weathering, a high relief of a Madonna sitting on clouds, with Child, framed with a Zweipass, can be made out. In 1666, the Plague came once again to Cochem. This might well have been the reason why Philipp Emmerich von Winneburg and Dietrich Adolf von Metternich endowed a new building for the parish in 1680. With this new building, the Plague saint, Roch, came to the fore as the chapel's namesake. The wooden altar from 1682 shows the two men's coat of arms. A notice on the back names Michael Luter for a new setting in 1820. The central altar image is a glorification of Mary that sweeps over the representatives of the spiritual (pope, abbots, members of orders, priests) and worldly (emperors, kings, bishops) estates. Seen above her is the Holy Trinity with the Father, the Son and the Holy Ghost, and beside her are Death with the hourglass, and an angel with banners bearing doxologies and quotations from psalms. A cartouche above the central altar shows Saint "Anthony with Child". On the uppermost part of the altar, on an open gable, is Saint Peter with a key and a book. Originally, the chapel's ornamentation included images of Mary Magdalene, Saint Roch, Saint Sebastian, the holy bishop Nicholas and another statue of Roch. Saint Roch's dog was even depicted in the middle of the ceiling in a half-relief. Among the chapel's adornments was once a chandelier, which has since been stolen. It was a wall fixture in the shape of an arm dressed with a short sleeve.

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