Plot
Germany is losing at all her fronts at the end of the Second World War. Young Miloš Hrma is engaged as an unpaid employee in a small railway station. The stationmaster, an enthusiastic pigeon-breeder, has a kind wife, but is envious of the train dispatcher Hubička's success with women. Miloš holds a platonic love for young conductor Máša. The experienced Hubička tries to explain to him the "matters of love" and discovers that Miloš is a virgin.
The idyll of the railway station is disturbed by the arrival of the councillor, Zednicek, a Nazi supporter. Máša spends the night with Miloš, but he finds no success and, the next day, he attempts suicide. He is saved, and the doctor explains to him that ejaculatio praecox is normal at Miloš's age. The doctor recommends that Miloš seek the assistance of an experienced woman. During the nightshift, Hubička flirts with the telegraphist, Zdenička, and imprints her buttocks with the office's rubber stamps. Her mother complains to Hubička's superiors.
The scandal prevents the stationmaster from becoming inspector. The Germans are nervous, since their trains are attacked and blown up by the partisans. An attack is also planned for this station. Young artiste Viktoria Freie delivers a bomb to the station. At Hubička's request, Viktoria also helps Miloš to "resolve" his problem with virginity. The encouraged Miloš sets up the booby-trap himself. The endeavor is successful, but the young man also dies during the course of events.
Read more about this topic: Closely Watched Trains
Famous quotes containing the word plot:
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)