Buildings
The medieval castle was originally built in the 13th century by Stuart Cullen, an early Anglo-Norman warrior and landowner in North Kildare.He had been given extensive lands in the area of Kill, Celbridge and Mainham by his brother, Rurai Blaney, who had come to Ireland with 'Strongbow', the Earl of Pembroke.
It is the residence of the religious community and was improved by a "chocolate box" type restoration in the 18th century. It was rebuilt in 1718 by Stephen Fitzwilliam Browne and extended in 1788 by Thomas Wogan Browne. It is situated beside a ditch and wall - known as ramparts - constructed for the defence of the Pale in the 14th century. The building was completely refurbished in 2004 and the reception was moved back there from the "1999 building".
The castle is connected to the modern buildings by an elevated corridor hung with portraits, the Serpentine Gallery referred to by James Joyce. This gallery was completely demolished and rebuilt in 2004 as part of a redevelopment programme for the school buildings.
In 1929 another wing was built at a cost of £135,000, presenting the rear façade of the school. It houses the main classrooms and the Rudiments, Grammar, Syntax, and Humanities dormitories.
An expansion and modernisation was completed in 2000; the €4.8m project added another residential wing that included a 500-seat dining hall, kitchen, entrance hall, offices, plant room, and study/bedrooms for sixth year ("Rhetoric") students.
The Boys' Chapel has an elaborate reredos, a large pipe-organ in the gallery, and a sequence of Stations of the Cross painted by Sean Keating. School tradition has it that the portrait of Pontius Pilate in the twelfth station was based on the school rector, who had refused to pay the artist his asking price.
Read more about this topic: Clongowes Wood College
Famous quotes containing the word buildings:
“The American who has been confined, in his own country, to the sight of buildings designed after foreign models, is surprised on entering York Minster or St. Peter’s at Rome, by the feeling that these structures are imitations also,—faint copies of an invisible archetype.”
—Ralph Waldo Emerson (1803–1882)