Acting
Standen's first experience of stunts, horse riding and sword fighting was at age twelve when he got his first job working in a professional stunt team in Nottingham. At the age of fifteen Standen was a member of both the National Youth Theatre and the National Youth Music Theatre performing in productions at many well known venues. Later Standen won a place on the three year acting course at the London Academy of Music and Dramatic Art.
In 2004 Standen appeared in Waking the Dead, the Second World War documentary drama Ten Days to D-Day, and took the lead role of Major Alan Marshall in the Zero Hour TV dramatisation of the SAS mission, operation Barras, in Sierra Leone. The next year he appeared in three episodes of the British soap Doctors and Tom Brown's Schooldays, the acclaimed ITV adaptation of the book by Thomas Hughes. Standen played Private Carl Harris in three episodes of the fourth series of the relaunched British sci-fi show Doctor Who. The following year he played 'Archer', the brother of Robin Hood in the BBC TV series Robin Hood. Standen is currently part of the main cast of the TV series Camelot for Starz (TV network) in which he portrays the famous Arthurian knight Sir Gawain.
On film Standen took a lead role in the mainstream Bollywood film Namastey London alongside Katrina Kaif and Akshay Kumar. In 2012 Standen completed filming on the Vertigo Films feature film titled Hammer of the Gods
In 2012, Standen joined the History Channel's Vikings in the role of Rollo
In addition to his screen roles Standen has done voice overs for video games such as Aliens vs. Predator and Inversion
Read more about this topic: Clive Standen
Famous quotes containing the word acting:
“It would be easy ... to regard the whole of world 3 as timeless, as Plato suggested of his world of Forms or Ideas.... I propose a different view—one which, I have found, is surprisingly fruitful. I regard world 3 as being essentially the product of the human mind.... More precisely, I regard the world 3 of problems, theories, and critical arguments as one of the results of the evolution of human language, and as acting back on this evolution.”
—Karl Popper (1902–1994)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)
“Acting is the expression of a neurotic impulse. It’s a bum’s life.... The principal benefit acting has afforded me is the money to pay for my psychoanalysis.”
—Marlon Brando (b. 1924)