Visual Art and Plays
Barker is a prolific visual artist working in a variety of media, often illustrating his own books. His paintings have been seen first on the covers of his official fan club magazine, Dread, published by Fantaco in the early '90s; on the covers of the collections of his plays, Incarnations (1995) and Forms of Heaven (1996); and on the second printing of the original UK publications of his Books of Blood series. Barker also provided the artwork for his young adult novel The Thief of Always and for the Abarat series. His artwork has been exhibited at Bert Green Fine Art in Los Angeles and Chicago, at the Bess Cutler Gallery in New York and La Luz De Jesus in Los Angeles. Many of his sketches and paintings can be found in the collection Clive Barker, Illustrator, published in 1990 by Arcane/Eclipse Books, and in Visions of Heaven and Hell, published in 2005 by Rizzoli Books. The most complete selection of Clive Barker's paintings and drawings are available to view in a gallery setting on the website.
He worked on the creative side of a horror video game, Clive Barker's Undying, providing the voice for the character Ambrose. Undying was developed by DreamWorks Interactive and released in 2001. He also worked on Clive Barker's Jericho for Codemasters, which was released in late 2007.
Barker created Halloween costume designs for Disguise Costumes
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Famous quotes containing the words visual, art and/or plays:
“I may be able to spot arrowheads on the desert but a refrigerator is a jungle in which I am easily lost. My wife, however, will unerringly point out that the cheese or the leftover roast is hiding right in front of my eyes. Hundreds of such experiences convince me that men and women often inhabit quite different visual worlds. These are differences which cannot be attributed to variations in visual acuity. Man and women simply have learned to use their eyes in very different ways.”
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Feste. Yes, by Saint Anne, and ginger shall be hot i’the mouth, too.”
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“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
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