Style
Odets' dramatic style is distinguished by a kind of poetic, metaphor-laden street talk. Arthur Miller observed that, with Odets' first plays, ″For the very first time in America, language itself . . . marked a playwright as unique.″ Odets' use of ethnic and urban speech patterns reflects the influence of another socialist playwright with proletarian concerns, Sean O'Casey. Other hallmarks of Odets' style are his humanistic point of view, and his way of dropping the audience right into the conflict with little or no introduction. Often character is more important than plot, reflecting the influence of Anton Chekhov.
Read more about this topic: Clifford Odets
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“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
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