The Clerk of Works (or clerk of the works), often abbreviated CoW, is employed by the architect or client on a construction site. The role is primarily to represent the interests of the client in regard to ensuring the quality of both materials and workmanship are in accordance with the design information such as specification and engineering drawings, in addition to recognized quality standards. The role is defined in standard forms of contract such as those published by the Joint Contracts Tribunal.Clerks of Works are also the most highly qualified non-commissioned tradesmen in the Royal Engineers. The qualification can be held in three specialisations: Electrical, Mechanical and Construction.
Historically the Clerk of Works was employed by the architect on behalf of a client, or by Local Authorities to oversee public works. The CoW can also be employed by the client (State Body/Local Authority/Private Client) to monitor Design and Build projects where the traditional role of the architect is within the Design and Build project team.
Maître d'Oeuvre (master of work) is a term used in many European jurisdictions for the office that carries out this job in major projects; the Channel Tunnel project had such an office. In Italy the term used is direttore dei lavori (manager of the works).
Read more about Clerk Of Works: Origins of The Title, The Role, Notable Clerks of Works, The Institute of Clerks of Works and Construction Inspectorate of Great Britain Incorporated
Famous quotes containing the words clerk and/or works:
“Seynt Stevene was a clerk in Kyng Herowdes halle.
And servyd him of bred and cloth, as every kyng befalle.”
—Unknown. St. Stephen and King Herod (l. 1–2)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)