Works
| French literature |
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| By category |
| French literary history |
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| French writers |
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| Portals |
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- Le Tricheur/The Cheat 1945
- La Corde Raide/The Tightrope 1947
- Gulliver 1952
- Le Sacre du printemps/The Anointment of Spring 1954
- Le vent. Tentative de restitution d 'un rétable baroque/The Wind. Attempted Restoration of a Baroque Altarpiece 1957
- L'Herbe/The Grass 1958
- La Route des Flandres/The Flanders Road 1960
- Le Palace/The Palace 1962
- La Separation/The Separation 1963 (Play adapted from the novel L'Herbe)
- Femmes/Women. Ill by Joan Miró. – New edition La Chevelure de Bérénice/Berenice's Hair 1984
- Histoire/Story 1967
- La Bataille de Pharsale/The Battle of Pharsalus 1969
- Orion aveugle. Essai/Blind Orion. Essay 1970
- Les Corps conducteurs/Conducting Bodies 1971
- Triptyque/Triptych 1973
- Leçon de choses/Lesson in Things 1975
- Les Géorgiques/The Georgics 1981
- L'Invitation/The Invitation 1987
- L'Acacia/The Acacia 1989
- Le jardin des plantes/The Garden of Plants 1997
- Le tramway/The Trolley 2001
- Œuvres, Collection Pléiade, Gallimard 2006
Read more about this topic: Claude Simon
Famous quotes containing the word works:
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
—Henry David Thoreau (1817–1862)