United States
In the new republic, Robert Adam's neoclassical manner was adapted for the local late 18th and early 19th-century style, called "Federal architecture". One of the pioneers of this style was English-born Benjamin Henry Latrobe, who is often noted as America's first professional architect and the father of American architecture. The Baltimore Basilica, the first Roman Catholic Cathedral in the United States, is considered by many experts to be Latrobe's masterpiece.
The widespread use of neoclassicism in American architecture, as well as by French revolutionary regimes, and the general tenor of rationalism associated with the movement, all created a link between neoclassicism and republicanism and radicalism in much of Europe. The Gothic Revival can be seen as an attempt to present a monarchist and conservative alternative to neoclassicism.
In later 19th-century American architecture, neoclassicism was one expression of the American Renaissance movement, ca 1880-1917. Its last manifestation was in Beaux-Arts architecture (1885–1920), and its very last, large public projects in the United States were the Lincoln Memorial (1922), the National Gallery in Washington, D.C. (1937), and the American Museum of Natural History's Roosevelt Memorial (1936).
Today, there is a small revival of Classical Architecture as evidenced by the groups such as The Institute of Classical Architecture and Classical America. The School of Architecture at the University of Notre Dame, currently teaches a fully Classical curriculum.
Read more about this topic: Classical Revival Architecture, Late Phase
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“I do not know that the United States can save civilization but at least by our example we can make people think and give them the opportunity of saving themselves. The trouble is that the people of Germany, Italy and Japan are not given the privilege of thinking.”
—Franklin D. Roosevelt (1882–1945)
“In the United States, though power corrupts, the expectation of power paralyzes.”
—John Kenneth Galbraith (b. 1908)
“Printer, philosopher, scientist, author and patriot, impeccable husband and citizen, why isn’t he an archetype? Pioneers, Oh Pioneers! Benjamin was one of the greatest pioneers of the United States. Yet we just can’t do with him. What’s wrong with him then? Or what’s wrong with us?”
—D.H. (David Herbert)
“What chiefly distinguishes the daily press of the United States from the press of all other countries is not its lack of truthfulness or even its lack of dignity and honor, for these deficiencies are common to the newspapers everywhere, but its incurable fear of ideas, its constant effort to evade the discussion of fundamentals by translating all issues into a few elemental fears, its incessant reduction of all reflection to mere emotion. It is, in the true sense, never well-informed.”
—H.L. (Henry Lewis)
“The rising power of the United States in world affairs ... requires, not a more compliant press, but a relentless barrage of facts and criticism.... Our job in this age, as I see it, is not to serve as cheerleaders for our side in the present world struggle but to help the largest possible number of people to see the realities of the changing and convulsive world in which American policy must operate.”
—James Reston (b. 1909)