United States
In the new republic, Robert Adam's neoclassical manner was adapted for the local late 18th and early 19th-century style, called "Federal architecture". One of the pioneers of this style was English-born Benjamin Henry Latrobe, who is often noted as America's first professional architect and the father of American architecture. The Baltimore Basilica, the first Roman Catholic Cathedral in the United States, is considered by many experts to be Latrobe's masterpiece.
The widespread use of neoclassicism in American architecture, as well as by French revolutionary regimes, and the general tenor of rationalism associated with the movement, all created a link between neoclassicism and republicanism and radicalism in much of Europe. The Gothic Revival can be seen as an attempt to present a monarchist and conservative alternative to neoclassicism.
In later 19th-century American architecture, neoclassicism was one expression of the American Renaissance movement, ca 1880-1917. Its last manifestation was in Beaux-Arts architecture (1885–1920), and its very last, large public projects in the United States were the Lincoln Memorial (1922), the National Gallery in Washington, D.C. (1937), and the American Museum of Natural History's Roosevelt Memorial (1936).
Today, there is a small revival of Classical Architecture as evidenced by the groups such as The Institute of Classical Architecture and Classical America. The School of Architecture at the University of Notre Dame, currently teaches a fully Classical curriculum.
Read more about this topic: Classical Revival Architecture, Late Phase
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—H.L. (Henry Lewis)
“I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother’s side was not an Indian chief.”
—Zora Neale Hurston (1891–1960)