Classical Fencing

Classical fencing is the style of modern fencing as it existed during the 19th and early 20th century. According to the 19th-century fencing master Louis Rondelle,

"A classical fencer is supposed to be one who observes a fine position, whose attacks are fully developed, whose hits are marvelously accurate, his parries firm and his ripostes executed with precision. One must not forget that this regularity is not possible unless the adversary is a party to it. It is a conventional bout, which consists of parries, attacks, and returns, all rhyming together."

Used in this sense, classical fencing is a style of historical fencing focussing on the 19th and early-20th century national fencing schools, especially in Italy and France, i.e. the schools out of which the styles of contemporary sports fencing have developed. Masters and legendary fencing figures such as Giuseppe Radaelli, Louis Rondelle, Masaniello Parise, the Greco brothers, Aldo Nadi and his rival Lucien Gaudin are today considered typical practitioners of this period.

Classical fencing weapons included the standard foil, épée (with a variety of different tips, including pointes d'arret), and sabre (including both blunted dueling sabres and, beginning in the early 20th century, modern sporting sabres).

Read more about Classical Fencing:  History, Revival

Famous quotes containing the word classical:

    Et in Arcadia ego.
    [I too am in Arcadia.]
    Anonymous, Anonymous.

    Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)