Family Influence and Early Music History
He is the son of Carver Clark Gayton and Mona Marie Lombard and is the great-grand nephew of the legendary New Orleans musician, Manuel "Fess" Manetta.
The first two professionally trained musicians on his maternal side were Jules and Deuce Manetta who founded the Pickwick Brass Band who played cornet and trombone, respectively. Deuce, trained classically in France, was said to be the first slide trombone player in New Orleans. Valve trombone was the instrument of choice at the time. Their nephew was Manuel Manetta. He began on violin and guitar, but did his first paid work as a pianist for Countess Willie Piazza. He played with Buddy Bolden in 1903. By 1910 he had mastered cornet, saxophone and trombone. Manuel played at Tuxedo Hall with the Eagle band. He went to Chicago in 1913, then returned to New Orleans, played locally for 5 years. He went to Los Angeles in November 1919 to join Kid Ory. He returned home shortly afterwards and toured as pianist for with Martels' Family Band, then played piano in Ed Allen's Band on riverboats. He settled down in New Orleans where his versatility and musicianship enabled him to work with many bands and orchestras including Papa Celestine's, Arnold Du Pas and Manual Perez's, and solo work at Lulu White's. In later years he became the most renowned teacher in New Orleans. He gave occasional public appearances well into his seventies, making a specialty of playing two brass instruments simultaneously. Manuel had a sister, Olivia who had three daughters and a son, Lucille (Clark's grandmother, piano), Dolly (Adams, played all instruments, mother of Justin, Placide, and Gerry Adams), Gladys (piano), and Lawrence (trombone). All were born in Algiers.
Read more about this topic: Clark Gayton
Famous quotes containing the words family, influence, early, music and/or history:
“A family on the throne is an interesting idea.... It brings down the pride of sovereignty to the level of petty life.”
—Walter Bagehot (1826–1877)
“Only let the North exert as much moral influence over the South, as the South has exerted demoralizing influence over the North, and slavery would die amid the flame of Christian remonstrance, and faithful rebuke, and holy indignation.”
—Angelina Grimké (1805–1879)
“Well, it’s early yet!”
—Robert Pirosh, U.S. screenwriter, George Seaton, George Oppenheimer, and Sam Wood. Dr. Hugo Z. Hackenbush (Groucho Marx)
“While the music is performed, the cameras linger savagely over the faces of the audience. What a bottomless chasm of vacuity they reveal! Those who flock round the Beatles, who scream themselves into hysteria, whose vacant faces flicker over the TV screen, are the least fortunate of their generation, the dull, the idle, the failures . . .”
—Paul Johnson (b. 1928)
“There is one great fact, characteristic of this our nineteenth century, a fact which no party dares deny. On the one hand, there have started into life industrial and scientific forces which no epoch of former human history had ever suspected. On the other hand, there exist symptoms of decay, far surpassing the horrors recorded of the latter times of the Roman empire. In our days everything seems pregnant with its contrary.”
—Karl Marx (1818–1883)