Cividade de Terroso - Culture

Culture

The population worked in agriculture, namely cereals and horticulture, fishing, recollection, shepherding and worked metals, textiles and ceramics. Cultural influences arrived from the inland Iberian Peninsula, beyond the ones proceeding from the Mediterranean through trade.

The Castro culture is known by having defensive walls in their cities and villages, with circular houses in hilltops and for its characteristic ceramics, widely popular among them. It disappears with the Roman acculturation and the movement of the populations for the coastal plain, where the strong Roman cultural presence, from the 2nd century BC onwards, is visible in the vestiges of Roman villas found there where, currently, the city of the Póvoa de Varzim is located (Old Town of Póvoa de Varzim, Alto de Martim Vaz and Junqueira), and in the parishes of Estela (Villa Mendo) and near the Chapel of Santo André in Aver-o-Mar.

Read more about this topic:  Cividade De Terroso

Famous quotes containing the word culture:

    The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.
    Jean Baudrillard (b. 1929)

    Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.
    Lionel Trilling (1905–1975)

    Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.
    Ellen Glasgow (1873–1945)