City Harvest Church - Architecture and Decor

Architecture and Decor

The primary church building is located at Jurong West Street 91, and was completed in 2002. Its construction was part of a trend of larger churches in Singapore to go for "clean lines, stainless steel, titanium facades" for their architecture in place of "stained glass and steeples" in an effort modernise their religious services. Costing $48 million (SGD) for its entire construction, the building has a $583,000 fountain and an 18300 square foot auditorium. A CHC spokesman said the building is "reflective of the personality of our congregation — ultra-modern, contemporary and ultra-mobile". The building occupies almost 38,000 sq ft (3,500 m2) on a 30-year leasehold land and its main hall seats up to 2,300 attendees and has two 250-seat halls. The toilets are by the church's own admission, "the very meaning of style".

On 15 December 2005, CHC began renting Hall 8 of Singapore Expo as an additional worship venue with a seating configuration that accommodates a maximum of 8,200 attendees.

Since 19 March 2011, CHC has moved to the Suntec International Convention and Exhibition Centre. The initial plan for a 12,000-seat auditorium to be built has been shelved due to a new guideline released in July 2010 by the Urban Redevelopment Authority (URA). The new plan is to seat 7,500 in compliance with the new rule that restricts the use of commercial buildings for religious purposes.

Read more about this topic:  City Harvest Church

Famous quotes containing the words architecture and and/or architecture:

    The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.
    Federico García Lorca (1898–1936)

    In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, High-Tech architecture is, of course, no different in spirit—if totally different in form—from all the romantic architecture of the past.
    Dan Cruickshank (b. 1949)