Design
Circular Quay station features a ground-level central concourse, and elevated platforms on a second level. Both platforms feature sections of open galleries, offering views to Circular Quay, the Sydney Harbour Bridge and the Sydney Opera House on one side, and Customs House and the Alfred Street plaza on the other. Viaducts lead from the elevated platforms to tunnels through surrounding elevated terrain that lead to neighbouring stations.
The station has two main, double-storey facades, facing Cirula Quay to the north, and Customs House to the south respectively. The northern facade is faced with polished granite tiles, while the southern one features polished granite and sandstone. The station name is featured in steel lettering on both sides. The upper storey of the facades correspond to the central sections of the platforms, and feature steel-framed windows. The exterior of the remainder of the platform feature open, glass-railed galleries, supported on the lower level by a continuation of the central facade. The top of the northern, harbour-facing facade is incorporated into the viewing platform and rest area located above the station alongside the Cahill Expressway roadway. This platform can be reached from the pedestrian walkway on the Cahill Expressway.
The station platforms are reached from the ground level concourse via stairs, escalaters and lifts. The central concourse is surrounded on either side by retail and food shops and public toilets located under the elevated platforms. The concourse is decorated with brass details in an aquatic animal motif, seen in sculpted grills above stairways and doorways. Glass bricks are used extensively in various parts.
The station is in an inter-war functionalist style, as seen in the strong horizontal lines presented by the windows and galleries, with art deco details.
Read more about this topic: Circular Quay Railway Station
Famous quotes containing the word design:
“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)
“If I commit suicide, it will not be to destroy myself but to put myself back together again. Suicide will be for me only one means of violently reconquering myself, of brutally invading my being, of anticipating the unpredictable approaches of God. By suicide, I reintroduce my design in nature, I shall for the first time give things the shape of my will.”
—Antonin Artaud (1896–1948)
“I begin with a design for a hearse.
For Christ’s sake not black—
nor white either—and not polished!
Let it be weathered—like a farm wagon—”
—William Carlos Williams (1883–1963)