Successful Dutch Films
As of 24 November 2008 (2008 -11-24), the top-15 most visited Dutch films since 1945 were:
- Turks Fruit (Turkish Delight, 1973) - 3,328,804
- Fanfare (1958) - 2,635,178
- Ciske de Rat (1955) - 2,432,500
- Wat zien ik? (Business Is Business, 1971) - 2,358,946
- Blue Movie (nl) (1971) - 2,335,301
- Flodder (1986) - 2,313,701
- Achtste Groepers Huilen Niet (2012) - 1,959,000
- Gooische Vrouwen (2011) - 1,919,982
- Keetje Tippel (Katie Tippel, 1975) - 1,829,116
- Alleman (1963) - 1,664,645
- Ciske de Rat (1984) - 1,593,311
- Soldaat van Oranje (Soldier of Orange, 1977) - 1,547,183
- Flodder in Amerika (1992) - 1,493,873
- De Overval (The Silent Raid, 1962) - 1,474,306
- Alles is Liefde (Love Is All, 2007) 1,292,682
- Een Koninkrijk voor een Huis (A Kingdom For a House, 1949) 1,291,728
Read more about this topic: Cinema Of The Netherlands
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“All successful men have agreed in one thing,—they were causationists. They believed that things went not by luck, but by law; that there was not a weak or a cracked link in the chain that joins the first and last of things.”
—Ralph Waldo Emerson (1803–1882)
“Paradise endangered: garden snakes and mice are appearing in the shadowy corners of Dutch Old Master paintings.”
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“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
—Jean-Luc Godard (b. 1930)