The Cinema of China is one of three distinct historical threads of Chinese-language cinema together with the Cinema of Hong Kong and the Cinema of Taiwan. Since 1949 the cinema of mainland China has operated under restrictions imposed by the Communist Party of China's State Administration of Radio, Film, and Television and the Publicity Department. Many films with political overtones made in China are still censored or banned in China itself; however, some of these films are distributed abroad commercially or at film festivals. China also restricts the showing of foreign-made films in Chinese cinemas to 34 each year.
Currently, the vast majority of the Mainland-produced movies use Mandarin. Mainland films are often dubbed into Cantonese when exported to Hong Kong for theatrical runs.
As of 2010 Chinese cinema is the third largest film industry by number of feature films produced annually. In 2011, 791 films were produced in China and Chinese films earned 54% of a total box office of US$2.06 billion. China's box-office receipts grew 33.3 percent in 2011 and by the first quarter of 2012, it has surpassed Japan in box-office receipts by becoming the second-largest in the world.
Read more about Cinema Of China: Beginnings, Second Golden Age, Early Communist Era, Cultural Revolution and Its Aftermath, Rise of The Fifth Generation, The Sixth Generation, Generation Independent Movement, New Documentary Movement, Box-office Receipts
Famous quotes containing the words cinema and/or china:
“Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.”
—Frederico Fellini (1920–1993)
“It all ended with the circuslike whump of a monstrous box on the ear with which I knocked down the traitress who rolled up in a ball where she had collapsed, her eyes glistening at me through her spread fingers—all in all quite flattered, I think. Automatically, I searched for something to throw at her, saw the china sugar bowl I had given her for Easter, took the thing under my arm and went out, slamming the door.”
—Vladimir Nabokov (1899–1977)