Early Days
A couple of months after the Lumière brothers' invention, a film exhibition is held in Rio de Janeiro. As early as 1898, the Italian Alfonso Segreto supposedly filmed the Guanabara Bay from the ship Brésil on a return journey from Europe, though some researchers question the veracity of this event as no copy of the film remains. He would go on to make documentaries with his brother Paschoal Segreto. An ad of a May 1987 issue of Gazeta de Petrópolis, as shown in 1995 by Jorge Vittorio Capellaro and Paulo Roberto Ferreira, was introduced as the new "birth certificate" of Brazilian cinema, as three short films were advertised: Chegada do Trem em Petrópolis, Bailado de Crenças no Colégio de Andarahy and Ponto Terminal da Linha dos Bondes de Botafogo, Vendo-se os Passageiros Subir e Descer.
During this "belle-epoque" of Brazilian cinema, when black and white silent films were less costly to produce, most work resulted from the effort of passionate individuals willing to take on the task themselves rather than commercial enterprises. Neither is much attention given by the state, with legislation for the sector being practically nonexistent.
Film theaters only become larger in number in Rio and São Paulo late in the following decade, as power supply becomes more reliable. Foreign films as well as short films documenting local events were most common. Some of the first fictional work filmed in the country were the so-called "posed" films, reconstitutions of crimes that had recently made the press headlines. The first success of this genre is Francisco Marzullo's Os Estranguladores (1906). "Sung" films were also popular. The actors would hide behind the screen and dub themselves singing during projection. During the 1920s film production flourished throughout several regions of the country: Recife, Campinas, Cataguases and Guaranésia.
Read more about this topic: Cinema Of Brazil
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