Characters
- Buttons lives in a cave in Chucklewood Park, along with his parents, Abner and Bridgett.
- Rusty and his parents, George and Rosie, live in the same cave as Buttons' family.
- Ranger Jones, a.k.a. Jonesy, is the park ranger in charge of Chucklewood, and the only regular human character in the series.
- Bearbette and Frisky are a zaftig female bear cub and a slim female fox cub, respectively; they were introduced in the Valentine's Day special, Honeybunch. They live in Chucklewood with Bearbette's parents, Darwin and Bernadine; Frisky is an adopted member of the family and as Buttons and Rusty's future wives.
- Skipper and Bluebell are rabbits, introduced in A Chucklewood Easter. They live in an underground warren and bear a bit of a suspicious resemblance to Bugs Bunny.
- Lester is a Cajun alligator who lives in nearby Crystal Bayou, which is where Bearbette and her family lived before moving to Chucklewood; Lester is a close friend of the family.
- Franklin the Owl is the cubs' teacher, who sometimes turns into a rap singer to make the lessons more interesting.
- Freddy the Raccoon is a friend and classmate of the cubs, introduced in School Daze, who tends to be a troublemaker.
- Turner the Turtle is another friend and classmate of the cubs, who was introduced in What's Up, Mom? and sometimes appears to be wearing a bow tie.
- Claude the Coyote is a trader who'll stoop to underhanded means to make a deal; he was introduced in the episode An Eye for a Tooth. His voice is modeled after that of W. C. Fields (whose middle name was Claude).
- Quacker the Duck is a denizen of the forest, who often relays messages for the others. True to his name, he often makes quacking sounds.
- Skeeter the Mouse is the smallest member of the cast. Because of his size, he is often nervous and high-strung.
Read more about this topic: Chucklewood Critters
Famous quotes containing the word characters:
“Thus we may define the real as that whose characters are independent of what anybody may think them to be.”
—Charles Sanders Peirce (1839–1914)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)
“I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.”
—Vladimir Nabokov (1899–1977)