Television
The Chuckle Brothers won the television talent show Opportunity Knocks in 1967 and then New Faces in 1974. Despite this they did not find real success until the advent of their own television show for the BBC in 1985, Chucklehounds. These were short shows aimed at pre-school children that had no dialogue, in which they dressed in giant dog costumes. They quickly moved on to their most famous show, ChuckleVision, in 1987. In 1998, ChuckleVision was nominated for a Children’s BAFTA Award in the category Best Children's Television Series. Jimmy, and Brian Patton, the real life brothers of the pair, also make regular appearances on the show. In 2007, recording began on the 20th series. In the late 1970s and early 1980s the four brothers appeared as a quartet on TV. They are remembered for their performance in 1982 on 3-2-1.
They also presented a game show called To Me, To You!, named after their catchphrase. The basic format involved two teams, competing each round for prizes on a trolley (made to resemble a bamboo structure to fit in with the "treasure island" theme of the show). By rolling a die the teams had to get the trolley to their end of the board. The "squares" leading up to their end of the board often represented challenges. The rounds ended when this was achieved and new prizes were put on the trolley, which was reset to the centre. The show lasted for three series before the pair took a break from entertainment citing "exhaustion" as the main reason.
The brothers appeared in the TV series Celebrity Coach Trip during November 2010 and won the show, lasting the whole trip.
ChuckleVision is now the UKs longest running current "sitcom", since Last of the Summer Wine was cancelled in 2010.
On 7 November 2011 the pair starred in a set of TV commercials for UK based van insurance comparison website, Van Compare.
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Famous quotes containing the word television:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.”
—Raymond Chandler (1888–1959)
“Addison DeWitt: Your next move, it seems to me, should be toward television.
Miss Caswell: Tell me this. Do they have auditions for television?
Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
—Joseph L. Mankiewicz (1909–1993)